Large Marine Scene by George Chambers (England, c. 1830)


Large Marine/Seascape by George Chambers (English 1803-1840)

Framed Size: 39" x 59"

Chambers worked his way on a trading vessel to London in 1825, where he was greatly helped by Christopher Crawford, formerly of Whitby, but then landlord of the Waterman’s Arms at Wapping. His work, hanging in the gentlemen’s parlour of the inn, proved popular with its nautical clientele and won Chambers his early commissions, although he also worked as a scene-painter (1827–28) on Thomas Horner’s Panorama of London at the London Colosseum in Regents Park, and at the Pavilion Theatre, Whitechapel (1830–31). In 1829, two of his pictures were purchased by Admiral Thomas Capel who drew his merits to the attention of other officers including Admiral Lord Mark Kerr. The latter in turn secured him the patronage of King William IV and Queen Adelaide in 1831–32 and thereafter Chambers was an established artist. He only showed three works at the Royal Academy 1828–29 and 1838, but many more at the British Institution, 1827–40, the Society of British Artists 1829–38 and the Old Watercolourist, 1834–40, of which he was elected member in 1834.
Chambers was a talented draughtsman a watercolourist and an accomplished painter in oils, often working with fluent, colourful bravura in such views as A Fresh Breeze off Cowes and A Dutch Boier in a Fresh Breeze (National Maritime Museum, Greenwich), the latter a product of his one substantial artistic tour to the Netherlands in 1837. His most important later ‘set-piece’ commission was The Bombardment of Algiers1816 by Lord Exmouth, commissioned by the admiral’s friends for the Naval Gallery at Greenwich Hospital in 1836 (and now in the National Maritime Museum) probably through the agency of E.H Locker of the Hospital, Exmouth’s former secretary. He also painted two other pictures for the Gallery.

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